It is the time of change that happened in Europe between the 14th and 16th centuries. It was an age of growth in Europe. New, powerful city states emerged.
Quattrocento[ edit ] In the Quattrocento, concepts of architectural order were explored and rules were formulated. See- Characteristics of Renaissance Architecture, below. The study of classical antiquity led in particular to the adoption of Classical detail and ornamentation.
Space, as an element of architecture, was utilised differently from the way it had been in the Middle Ages. Space was organised by proportional logic, its form and rhythm subject to geometry, rather than being created by intuition as in Medieval buildings.
The most representative architect is Bramante — who expanded the applicability of classical architecture to contemporary buildings. His San Pietro in Montorio was directly inspired by circular Roman temples. He was, however, hardly a slave to the classical forms and it was his style that was to dominate Italian architecture in the 16th century.
The Renaissance ideal of harmony gave way to freer and more imaginative rhythms. Prior to the 20th century, the term Mannerism had negative connotations, but it is now used to describe the historical period in more general non-judgemental terms.
Baroque architecture As the new style of architecture spread out from Italy, most other European countries developed a sort of Proto-Renaissance style, before the construction of fully formulated Renaissance buildings.
Each country in turn then grafted its own architectural traditions to the new style, so that Renaissance buildings across Europe are diversified by region. Within Italy the evolution of Renaissance architecture into Mannerism, with widely diverging tendencies in the work of Michelangelo and Giulio Romano and Andrea Palladio, led to the Baroque style in which the same architectural vocabulary was used for very different rhetoric.
Outside Italy, Baroque architecture was more widespread and fully developed than the Renaissance style, with significant buildings as far afield as Mexico  and the Philippines. However, the forms and purposes of buildings had changed over time, as had the structure of cities.
Among the earliest buildings of the reborn Classicism were churches of a type that the Romans had never constructed. Neither were there models for the type of large city dwellings required by wealthy merchants of the 15th century. Conversely, there was no call for enormous sporting fixtures and public bath houses such as the Romans had built.
The ancient orders were analysed and reconstructed to serve new purposes.
Within a church, the module is often the width of an aisle. The first building to demonstrate this was St. Andrea in Mantua by Alberti. The development of the plan in secular architecture was to take place in the 16th century and culminated with the work of Palladio.
The columns and windows show a progression towards the centre.
Domestic buildings are often surmounted by a cornice. There is a regular repetition of openings on each floor, and the centrally placed door is marked by a feature such as a balcony, or rusticated surround. Columns and pilasters[ edit ] The Greek and Roman orders of columns are used: The orders can either be structural, supporting an arcade or architrave, or purely decorative, set against a wall in the form of pilasters.
During the Renaissance, architects aimed to use columns, pilasters, and entablatures as an integrated system. One of the first buildings to use pilasters as an integrated system was in the Old Sacristy — by Brunelleschi.
Arches[ edit ] Arches are semi-circular or in the Mannerist style segmental. Arches are often used in arcades, supported on piers or columns with capitals. There may be a section of entablature between the capital and the springing of the arch. Alberti was one of the first to use the arch on a monumental scale at the St.
Vaults[ edit ] Vaults do not have ribs. They are semi-circular or segmental and on a square plan, unlike the Gothic vault which is frequently rectangular. The barrel vault is returned to architectural vocabulary as at the St.
The dome is used frequently, both as a very large structural feature that is visible from the exterior, and also as a means of roofing smaller spaces where they are only visible internally. They are not left open as in Medieval architecture.
They are frequently painted or decorated. Doors[ edit ] Doors usually have square lintels. They may be set within an arch or surmounted by a triangular or segmental pediment.French travel and tourism: French art.
The most magnificent examples of early French Renaissance architecture are the royal château at Chambord, in the Loire valley even before François 1° came to the throne of France.
During François' reign, Fontainebleau became the hub of artistic activity, but the Fontainebleau school was the. Art History in Tourism and Leisure - During the late nineteenth-century, Impressionism was influenced by the tourism industry and industry of leisure. Some examples of the oldest recorded art in the world are prehistoric cave paintings, which were painted on cave walls thousands of years ago.
- Renaissance Art When the new upper class. They shared a common fund of examples, principles, and knowledge derived from the classics. Humanism brought intellectual unity to Europe. During the Renaissance small Italian republics developed into despotisms as the centers of power moved from the landed estates to the cities.
Europe itself slowly developed into groups of self-sufficient. Renaissance Period Of Tourism. The Renaissance Period The term Renaissance comes from the French word "rebirth." The Renaissance was a period of European history, considered by modern scholars that occurred between and Many dramatic changes happened during the timberdesignmag.com Renaissance was a period of new inventions and beliefs.
This period of time was drastically different . In , the Tourism Society of England's definition was: "Tourism is the temporary, short-term movement of people to destinations outside the places where they normally live and work and their activities during the stay at each destination.
It includes movements for all purposes.". Life in Renaissance England. During the Renaissance most of the English population resided in rural areas. Cities were crowded, considered dirty, and often dangerous. The greatest problem was public hygiene. One of the best examples of these figures is Dogberry in Much Ado About Nothing.
The plague, which visited cities throughout.